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EDGE OF DAWN MAGAZINE
 

 1) What does your band name "Blind Faith And Envy" mean?

Charlene April: Our band name actually came from some old lyrics I wrote in which the chorus incorporated the line "Blind Faith and Envy." Daniel and I liked it so much that we decided it would make for a cool band name. I like to tell people that they can interpret the meaning however they like.


2) Which bands are your main influences?

Charlene April: I would say Erasure, Depeche Mode, and Nine Inch Nails. Although I am really digging a couple of the bands here in the "synth-pop" scene. "The Echoing Green" and "Wave In Head" are two good male-fronted bands worth checking out.


3) How do you divide your work? Which influence do you have on the songwriting?

Charlene April: Daniel generally writes the music and when he has most of a song layout done then I work out the lyrics and melody. Then we tend to work together to shape the final product. I have written a couple of songs on my own, however, my songwriting skills are not as great as Daniels as my songs tend to come out kinda trance-like. Daniel is capable of writing hit-sounding music, and although he has a great voice, my voice adds originality and versatility, which is how/why we were able to settle into our roles so easily.


4) Do you write lyrics to Daniel's songs or does Daniel already have your existing lyrics in mind while composing a song?

Charlene April: I always write the lyrics, Daniel has a good ear for what is really cool and what isn't very cool. There are times I re-work the lyrics and they often come out better then my original work.


5) What inspires you lyrically? Where do your ideas come from?

Charlene April: The music inspires me the most as I usually hear a story being told in the various melodies and overall tempo of a track. It's important to tell a story with lyrics rather than just vague thoughts strung together. I get a lot of outside inspiration from "life" and watching how people behave in various situations.


6) Do you think it's difficult to compete as a female singer in a scene dominated by male vocalists?

Charlene April: Yes and no. When people hear male vocals over and over again I would think they would be excited for something different, on the other hand people don't like change much either. Female singers also tend to be overly criticized I've noticed, where fans of male vocalists take the vocals for what they are without over-analyzing them for flaws.


7) Why did you cover "Shout" by Depeche Mode?

Charlene April: The song is great but it needed to be up-dated, it was written by Vince Clarke and performed by Depeche Mode back in 1981. We also figured it can't hurt to have a cover song on our debut album to help attract potential fans.


8) How were the reactions on your debut album "The Charming Factor" so far?

Charlene April: Reactions have been great! A lot of people have told us that it's one of their favorite albums of 2004. That means a lot and tells us we must be on the right track. We have also had some commercial radio play which is really unusual for bands in the synth-pop scene these days. It's been exciting!


9) Do you think your music could appeal to a broader audience than the Synth Pop / Electro scene?


Charlene April: Absolutely, I think there is mainstream appeal in most of the songs we write. It's really just a matter of having the money to do more of a mass marketing. Unfortunately, the record labels we are on can’t afford what it would cost to try to get us extensive radio play, although I do think they are working in that direction for their bands.


10) Will there be a chance to see Blind Faith And Envy live? If so, how will you perform your songs live? Will you rearrange your songs for your gigs?

Charlene April: We have played live and we are excited to play many more live shows in the future! Daniel plays guitar on several tracks and keyboard on others while I do the singing. So far this set-up has worked best although we may consider adding to our live show with additional members in the future.


11) Have you already begun working on new Blind Faith And Envy material? Which direction will you take with your second album?

Charlene April: We have several NEW songs going out on various comps this year. Excellent songs that will most likely be exclusive for the comps. "Secret Affair" is a new song going on a comp put out by our Euro label "Infacted Recordings"...probably our best work to date. There's a lot going on as far as new songs going on compilations so make sure you check our website from time to time for all of those updates. Our second album is going to be a bit more danceable than "The Charming Factor" with more club-friendly tracks (Daniel's working on writing music as we speak and it's KILLER, it's so great). We are hoping we can gain a lot more rotation in the club scene, thus attracting a lot of new fans. Since our record labels specialize and promote mostly to the club scene we feel it only makes sense to start writing more up-tempo tracks. The new album will still be VERY BF/E so no worries there.


12) What are you working on at the moment?

Charlene April: The song Daniel is writing right now is very danceable with really catchy melody lines and guitar riffs, this of course will be on our album along with a couple of other tracks we have finished recently.


13) On your website, you've released a free CD single of "Crowded Room". Remarkably, it's not only available in the MP3 format but also in the uncompressed WAV format. Do you think it's a good way to gain new fans? Will you release further free songs on your page in the future?

Charlene April: I think when you are a new band it is important to give some songs away for free. I am not sure how many people have heard and/or downloaded our digital single but I am sure it's in the thousands. The bad part is that some people might be satisfied with just the couple of tracks and not be motivated enough to buy the disc. Music is such a tough business and unless it's being constantly shoved in people's faces it's hard to stay afloat. Most indie artist's who have achieved success would tell you that it took years of hard work and tons of personal investments and sacrifices in both time and money. To be an indie artist and have your own studio can be more costly than going to a studio and working with a producer.


14) You have produced your debut album completely on your own. Would you like to work with a producer in the future?

Charlene April: We upgraded our studio and Daniel has grown into being an excellent producer. Our songs since "The Charming Factor" sound even more amazing. Producing music is all about learning the software and hardware as well as trial and error. We would love to work with a producer some day, maybe someone like Flood or Mark Bell would be ideal. Of course the benefits of working with a producer would mean we could actually focus on songwriting and not all the tedious stuff that comes with trying to mix and engineer each track.


15) Besides the production of your CD, you have also designed the artwork on your own. How important is it to you to have the greatest possible control over the final product?

Charlene April: It was VERY important to have creative control for all aspects of our debut disc. It was more of a "we did this completely on our own, all credits belong to us" and there's a lot of satisfaction in that, but also a lot of stress. Now I feel it is important to start incorporating and considering other people's ideas as far as image, direction of songs, cover art, etc. The idea is to get better and not stagnate, that's where asking and considering other people's opinions is important.


16) Which synths and samplers do you use? Do you also use software synthesizers?

Daniel: While recording “The Charming Factor” there was one main sampler and that was the Mod Plug Tracker, there were no synths or VST’s. Recording that album was a process of gathering as many samples as possible and utilizing them the best way I knew how. Now that we have upgraded our studio in the last few months I am now using a couple synths (Yamaha EX7 – Roland XP60) and many new VSTI’s. (Halion sampler – Battery drum sampler – Korg Legacy – FM7 and many more. It has been great learning new equipment and hope to upgrade again.


17) Do you mix analog or digital?

Daniel: Everything now is mixed digitally within Cubase SX. Unlike before I can now actually mix with automation.


18) Which equipment do you use for recording vocals and how do you process them? How do you record vocals and guitars?

Daniel: We use AKG mics through an M-Audio soundcard, vocals are recorded straight in, same goes for guitar. After all the vocals (guitar) are recorded I clean up any clicks or pops…EQ it a bit, and during the mix of the song I will constantly re-EQ to get that right level. Vocals are never really a problem to mix, it is the music around it that is the hard part.


19) Which tools do you use for mastering your songs?

Daniel: During “The Charming Factor” recordings I only used T-Racks mastering software, which is the most convenient tool to use since it has your EQ, Limiter and Compressor all in one, I am sure I will still use it from time to time next to my WAVES plug-ins.


20) Does it bother you that many people particularly pay attention to the appearance of women in the music business?

Charlene April: No, it doesn't really bother me anymore. I think when you are indie the way you look takes the backseat. In other words, people like you because of your music not because of an image being shoved in their faces. How I look is important to me but it does not dominate my life or the music. I would rather have people find a lot of sex-appeal in the music rather than in me which is why I tend to dress modestly.


21) Do you think female singers / musicians can add a new dimension to Synth Pop?

Charlene April: Sure, I know I would like to be well known in the scene for having a great voice and overall talent. Electronic music is so technical (from the stand-point of learning equipment and software) men just naturally dominate. I think there will be more and more women involved in this scene as time marches on.

 

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